Leftover Hot Dogs 02

The second installment of our Leftover Hot Dogs mixtape series, this time featuring Kareem, Derek, Keith Hartwell, Mike Vitatoe and many more! Buy our new DVD here if you are still hungry after these leftovers.


Leftover Hotdogs Mixtape 1!

While we celebrate the release of the Hot Dogs Who Can’t Read DVD, we must pay tribute to the clips that for whatever reason (audio issues, keeping the run time low, editor was stoned) were left on the cutting room floor. Here’s round one of this mixtape series of Leftover Hot Dogs featuring Hoder, Trevor Sigloch, Def Paul, Dan Norvell and Hobie Doan! More soon!



There’s a certain manuscript in the works that is sure to delight @sandmbmx fans young and old, and we’re on a mission to include any S&M related tattoos you may have forever marred your skin with. The deadline for these images is Aug 11th. Here’s some tips on how to submit your shit:

  • If you’re using a phone, take the photo outside or near a window with daylight (just make sure the light source is the sun). If you’re using an actual camera, daylight, indoor with a flash (as long as the flash is even and exposed well), or even a proper studio photo if you have that option.  
  • Don’t use a fisheye or any lens attachments. 
  • Have the tattoo fill as much of the frame as possible, since phone photos aren’t the highest resolution photos to begin with, we don’t want to crop any more than we absolutely have to.
  • Make sure the camera is focused on the tattoo and not something in front/behind it… hey, it happens.
  • Compose the photo straight on, avoid shooting from any angles.
  • With the tattoo filling as much of the frame as possible, try to keep the background as clean and simple as possible, white is ideal—so try to find a blank wall, tape some white paper up, etc…
  • Email the photo full size to tattoo@sandmbikes.com —don’t text it, because the file size gets compressed.
  • Include your name and where you’re from in the email subject.


Mike Hoder’s BTM

MIKE HODER goes bigger than anyone in the game. If you need a whip that’s tested to withstand the hardest riding, go peep that new-new from the people’s champ. Big Mike’s sig BTM FRAME was built for someone who stomps some of the biggest tricks on the GNARLIEST set ups and if you’re looking for a solid handle bar that won’t bend off a crazy drop, HODER BARS, HODER HIGH BARS, and HODER SKY HIGH BARS are the ones for you. The HODER GRIPS are softer than a baby’s bottom and made to absorb all the shock from landing. Check out all these goods right here on our webstore. You won’t be disappointed.


Black Magic Matty!

Matty Aquizap is a dirt mound sorcerer, and with the debut of his sig frame, you best believe chaboy’s ’bout to drop some BLACK MAGIC on ya head! If you wanna know a little more about the geo and why this machine is built the way she is, RIDE did a bike check with Matty a couple weeks ago on the final prototype before production. Available in Metallica Black (shown) and Gloss White. Made to roast and do tha most!


Hey Ho! It’s Joe!

Joe Simpson — and his fellow Southern Hemi Shield Squad homies Bevan Cowan and Tom Boorman — journeyed to the U.S. of A. to party with us for our #dirtythirty. Now Joe’s a tall boy, which is one reason he rocks a TALL BOY, but we’ll just let him and Charlie Crum tell you bout it. Oh, and #demtallboyz are working on a full length edit of Joe S. while he’s here… next stop/spot Austin. If you don’t know Joe, you don’t know Jack, get familiar.


Crum Cam – Party Playback

The recaps keep comin’, but this edition’s special given our very own Charlie Crumlish crafted it. Hoder and Passero hittin’ the trails, Ryan Russell with the beer-in-hand flatland sesh, Dougie Fresh’s dance moves and an airborne hot dog ramp? When you’re done enjoying this piece, check out RIDEbmx’s vid to see what was going on in Crum’s crazy head when he made HOT DOGS WHO CAN’T READ. Then SUBSCRIBE to our NewTube ‘cuz, now that Charlie’s finished making one of the best DVDs of all time, he’ll be dropping dem fresh vids on our channel.


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